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Aritst of the Month

May/Jun. 2004



 

 



Bob Ebdon, Coloured Pencil Artist
I have no formal art training, and only discovered that I could draw around 8 years ago, after a nervous breakdown following 22 years of teaching. For a long time after this I drew in graphite only, with no colour. After trying to paint and failing miserably – I like colour that stays where I put it! – I bought a set of Derwent Artists pencils and fell in love. At last a medium that offered me the control, convenience and colour that I wanted.

I tried to supplement my teacher’s pension with some sales of art, and soon was able to find commissions, especially dog portraits. I took a stall around Agility Dog Shows and in three years I had done over 90 Border Collie portraits! I soon found though that I wanted to do other things, and have been searching for a long time for what that might be. I have tried wildlife, flowers, landscapes – everything! The subjects that most appeal to me are not necessarily the ones that sell – the eternal dilemma of the artist.

"UK artists can see more of Bob's work in his first solo exhibition, which is at the home of the Cumberland Pencil Company (makers of Derwent pencils) in Keswick, Cumbria, during the whole of the month of May 2004"

 



click image to enlarge




I joined the CPSA in 1999, as there was nothing for cp artists in the UK, where I live. Then around 2001 I thought it was about time there was something, so along with a lot of other people I founded the UK Coloured Pencil Society. For the next two and a half years I devoted most of my time to the Society, and my health began to suffer again. Besides this I was not spending enough time on my own art, either producing it or marketing it, so I quit the Society, leaving it in the very capable hands of the Executive, and have been able to produce much more of what I want. I have been lucky enough to be asked to do some book illustrations for three books, and thanks to my role in the Society, I have written several articles for magazines. I have also returned to teaching, though 15 adults who want to be there, not 30 kids who don’t! I teach coloured pencil courses at three adult education colleges in the UK, and enjoy this enormously. But I am still searching for what kind of art I should be doing, and in what kind of style. The only thing I am certain of is that it will be in coloured pencils!

I have tried landscapes, as these are the most popular subjects in the UK. The steps are to an old Welsh Farmhouse, near Dolgellau. This was done on Fabriano Classico HP 300gsm paper, with a mixture of Karisma (Prismacolour), Derwent and Faber Castell pencils. It represents a quite loose, underworked style, no burnishing, and has sold well as a card. I enjoyed the challenge of showing the different textures here, but ultimately felt that it was too representational for me – too much a record of what I saw, with little feeling.



I have done several portraits, this being my favourite at the moment. Thanks to Ann Kullberg, who came over to the UK to give a wonderful workshop, I have learned a lot about these, and am still learning. This portrait was also on Fabriano, with mostly Karisma (Prismacolour) pencils. I enjoy portraits enormously, but still want to try to get away from representing likeness and move more into showing feelings and personalities. In this one I hope I captured the love between Manjeet’s mother and (deceased) father.


But the kind of art that I have most enjoyed up to now is shown in the two pictures above. I like colour, I like simple and detailed images, and I like images with a twist, a message, or, as in the case of these, a simple pun. The top one is called Apple Turnover, and the oranges picture is called Orange Blossom. I have done a lot worse, believe me! I have a fruit alphabet, for instance, in which “S” stands for six sequential slices of slightly small starfruit! I have done a lot of work like this, highly burnished in many cases, mostly with Karisma on Fabriano, with horrible puns as the basis for a lot of them. But it comes back to what sells – most of these pictures are still on my walls, and the money I earn from commissions must come first.

Where next? My latest picture, finished in March, is to the right. I managed to get hold of some Rising Stonehenge (thanks Jenny!), so this is on that fabulous paper. It is an attempt to combine an image that I hope will appeal with a message that satisfies the need in me to make more than a pretty picture, and I hope it shows a stage of the journey to becoming an artist that started only 8 years ago. I have a long way to go, but the journey is such fun!


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1999-2006

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